HISTORY
Liselund is an 18th-century aesthetically landscaped park, complete with several exotic buildings and monuments. Located close to Møns Klint on the north-eastern corner of the Danish island of Møn, it is deemed to be one of the finest examples in Scandinavia of Romantic English gardening. The park was created in the 1790s by French nobleman Antoine de Bosc de la Calmette for his wife Elisabeth, commonly known as Lisa. Liselund, roughly translated, means Lise's grove.
Background
Arrival of the De la Calmette family in Denmark
Antoine de Bosc de la Calmette was a Hugenot whose family had been forced to leave France for Holland. His father was a diplomat who after terms in Switzerland and Portugal, finally arrived in Denmark where, in 1776, the family was naturalised and recognised as Danish nobility.
In January 1777, he married Catharina Elisabeth Iselin, the daughter of the Swiss baron Reinhard Iselin who had also emigrated to Denmark. In 1783, Antoine was appointed prefect of Møn. The same year, he bought six hectares of land on the eastern coast of the island in the parish of Magleby.
Origin of the park
He and his wife, who travelled widely, had become interested in Jean-Jacques Rousseau's philosophy of naturalism in the Age of Enlightenment. As a result, Antoine designed the park in the Romantic spirit of the time as a loving gift for his wife. It was intended as a retreat where the family could spend a few days or weeks at a time, often with invited guests, away from the hardships of their working lives at Marienborg on the other side of the island.
History of the estate
Antoine and Lisa were not able to enjoy the park for very long. He died in 1803 and his wife in 1805. Their son, Charles, then took over Liselund but, after his death in 1821, it was sold to a friend, Frederik Raben-Levetzau-Huitfeldt, who died in 1828, and his wife, Emerentia Rosenkrantz-Huitfeldt, who died in 1843. The estate was then inherited by her nephew, Baron Gottlob Rosenkranz until 1884 when it was bought by his son Baron Fritz Rosenkranz. In 1936, it was transferred to his eldest son, Baron Erik Rosenkranz, then to Erik's brother, Niels, in 1956. In 1973, it was transferred to Baron Niels Henrik Rosenkranz until, owing to the increasing costs of maintaining the estate, the summer manor and park became the property of the Danish State to be administered by the National Museum of Denmark.
The Park
The area of land Antoine de la Calmette bought in 1783 was partly marshy, partly wooded. It bore no resemblance to the park which can be seen today, however natural it may now seem.
The ground first had to be drained, cleared and levelled. Then, in accordance with contemporary standards, it was landscaped and planted with a range of trees, some quite rare, including oaks, sweet chestnuts, walnuts, mulberry, spruce and cypress. The park was designed to be poetic with the gentle undulations of its terrain and its many lakes. Indeed, water was a key element of any Romantic garden.
But it also had contrasts, for example the sheer Devil's Ravine with its Devil's Bridge where, in rainy weather, water from the lakes cascades down to the sea.
Today the park provides a quite unexpected experience for those who enter through the chestnet-bordered avenue leading into the park from the main road to the west.
The old manor house
Liselund Gammel Slot, literally Liselund Old Palace, is a rather small country home built in the French neoclassical style. It is exceptional in that it has a thatched roof. Like the park itself, the house was designed by Andreas Kirkerup, one of the foremost landscape architects of the times. It lies against the slope of the eastern hill, beside a small pond, and overlooks the park to the north.
The building is T-shaped with the main rooms on the ground floor, the first floor consisting of nine bedrooms.
The interior was probably decorated and furnished by the leading decorator of the day, Joseph Christian Lillie. Many of the wall decorations and some of the furniture date back to the original design.
Among the most impressive rooms are the Entrée, an airy room opening onto the garden, the spacious Dining Hall, the Ghost Room which was Lisa's boudoir, and the Monkey Room with its monkey mirror. The monkey at the top of the bamboo-frame mirror may well be in remembrance of a pet monkey who helped save the family during the Lisbon earthquake in 1755.
Other rooms include the Family Room with several portraits, the Calmette Parlour and the Lady's Chamber, one of the larger bedrooms.
While the gardens are open throughout the year, the thatched manor is open to the public with guided visits during the summer months only.
The New Manor
Liselund Ny Slot, literally Liselund New Manor, was built in 1887 by Baron Fritz Rosenkrantz whose father, Gottlob, had inherited the estate in 1843. It stands majestically at the top of the western slope, overlooking the largest of the park's lakes and the sea beyond.
Built in the Italian style and decorated with fine ceiling frescos, stucco and wall panels, the New Manor was used by the Rosenkranz family until the 1960s. It was sold to the State in 1980 but lay empty for many years until it was bought by Krista and Steffen Steffensen in 1989 who converted it into an attractive hotel.
The Hans Christian Andersen connection
The park has had many well-known visitors, particularly during the period when Martha de la Calmette, Antoine's daughter-in-law, lived there as a widow for 57 years until her death in 1877. They included the Danish Romantic poet, Adam Gottlob Oehlenschläger and the sculptor, Bertel Thorvaldsen, but the most famous of all was Hans Christian Andersen who visited the park in the summer of 1829 when he was only 24 and found it delightful.
Liselund must have made a deep impression on Andersen as his poem Klintekorset paa Møen or Møn's Cliff Cross was inspired by a large wooden cross at the edge of the cliff. The original cross fell into the sea in a landslide in 1905, but a new cross stands close by today. It is also believed that the large hollow willow beside the Swiss House could have inspired him to write story of The Tinderbox.
