HISTORY
The palace was built from 1847 to 1852 by the Danish architect Johan Henrik Nebelong on commission from King Oscar I and Queen Joséphine of Norway and Sweden. King Oscar I and Queen Joséphine sought to promote Norwegian art and craftsmanship when they commissioned the building of the summer palace, and today it is a monument to Norwegian art and artisans from the mid-1800s.
At that time, large parts of Ladegaardsøen, now known as the Bygdøy peninsula, belonged to the Royal Family. According to contemporary writers the site of the summer palace was chosen by Oscar I’s sons during a sailing trip in the summer of 1847. The dramatic location at the top of a steep slope overlooking the sea reflected the popular trends of the era.
The King and Queen used private funds for the construction work and were themselves the owners of the land. Architect Johan Henrik Nebelong worked closely with them, helping to turn their wishes into reality.
In 1881, King Oscar II opened the palace to the public as a museum.
The palace, with its secondary buildings and surrounding park, is considered to be one of the finest examples of neo-Gothic architecture in Norway and is one of the country’s most important embodiments of the National Romantic style which was popular in Norway during the period.
The interior was wholly constructed and decorated by Norwegian artists and artisans. The walls of the dining hall are decorated with paintings by Joachim Frich and Adolph Tidemand, while the decoration and furniture in the drawing room evokes the style of the old Norwegian guildhall.
Oscarshall was sold by King Carl IV to the Norwegian state in 1863. The palace was almost given a new role when it was decided in 1929 that Oscarshall would become the new residence of Crown Prince Olav and Princess Märtha. These plans were never realized, however, as both financial problems and political opposition arose. The situation was later solved when Fritz Wedel Jarlsberg sold his estate Skaugum to the royal couple. Today it is the property of the state and is placed at the disposal of the King.
ARCHITECTURE
Many Norwegian contemporary artists received commissions during the building of Oscarshall, and today it stands as a monument to Norwegian art and applied art from the 19th century. The palace, with its secondary buildings and surrounding park, is considered to be one of the finest examples of Neo-Gothic architecture in Norway and is one of the country’s most important embodiments of the National Romantic style so popular in Norway during the period. In 1881, King Oscar II opened the palace to the public as a museum.
CURRENT SITUATION
Between 2005 and 2009 Oscarshall underwent a total renovation and restoration, bringing colours and furniture back to its original style from 1859. The renovation completed, Oscarshall was once again open to the public.
The palace is now open for guided tours during the summer season. In 2013, Queen Sonja opened the Queen Joséphine Gallery on the grounds of Oscarshall. The gallery exhibits graphic prints and featured prints by Her Majesty herself during its first season.
